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The evolution of the firm, part II

The first part described above, we summarize, as there is the evolution of the firm. In this article we will attempt to describe how certain factors influence not only in our firm, but writing in general.

To better explain what I mean, I think it is better to describe it with some illustrative examples where we see how graphology always described the present moment.

Let

then the signatures of three historical examples: Hitler, Mussolini and Napoleon .

The signature appearing below is for Hitler and dates from 1925:

rule, in the signatures of Hitler this decrease is observed line at the end of it. It is as if self-destructive mechanism that would have accompanied him throughout his life. Probably this mechanism of defense as projected outward.

However, we have owned firm year 1943 , we see this decrease is more pronounced, sticking almost all the letters at the bottom, causing what is called a "fall-line. That is, their state of depression is extreme and committed suicide shortly thereafter, thus completing its own momentum.

The next case is Napoleon we see as happening in an exaggerated manner, from a totally bottom-up, vertical, where they feel successful, happy but so exaggerated (signature belonging to the period just after Battle of Austerlitz, left image), a radically different state, with the complete downfall of the firm, becoming horizontal, but with a clear tendency to decline. The latter belong to the moment just after abdicating. (Right)

The latest example is that of Benito Mussolini . The following image corresponds to its peak, his time of splendor, with a clear predominance of horizontal movement, progress, achievement. The personality is eventful, extensive .

However later in the stage corresponding to the time when he was imprisoned, we find a predominance of horizontal change for the vertical. Personality is a prisoner to itself, its "I" is now close, and its limits too.

Examples of this type we can find in other characters. With them, I tried to show as our writing reflects different stages of life, different mood, for example, and how the events that occur outside influence us and therefore in our writing, and vice versa.

take the time to wish you a Happy New Year.

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The evolution of the firm

As we do, our firm is also changing. No signature is the same as we had done, for example, 20 years that we have at the present time, in the same way that we are not the same. The signature of each of us is with us, it sticks to us like a "scarlet", and it changes and modifications throughout our existence, although there is a moment in which "mature." That is, there is a time when we acquired our own firm, as we acquired our own personality.

From there, sure there may be changes, for professional reasons, for reasons external to us (such as a health problem, for example), etc. Sometimes, regardless of any name, others simplify the heading, etc.

few days ago, a teenage boy who comes to graphotherapy sessions, I asked him to write a short text, dictated that I serve to be checking the evolution of his writing and see the lines he had to keep working. At the end of the text I said:

- Well, now that you've, sign.

At this

froze and said

- But I have no firm ....,

Whereupon I asked; you sure?. When you write something to someone, or ask you to sign a document, a scholarship, an ID, for example, you put?

- Well, I put my full name in capital letters, no more.

- So if you have signed, no?; The fact that heading or not do something, does not mean you have no signature. The fact that you put your name, even in capital letters, is what you're like, is your seal. In fact we all have a signature, even more than one, according to whom our letter is addressed, or if it is a signature type visé "sometimes we have to use.

- Yes, but ... I did not sign well before, he said.

- Oh no?, Then as signed, I asked.

- Just put my name in capitals, he said.

- Well, then your signature has changed something, well that has undergone a slight transformation. Previously, only signed with the name, which means graphology speaking, however, now includes the surname, so that the interpretation has changed. Within a few years, will see how your company again "change."

In fact considering his age (16 years), say it is still in process of formation. More light note that you are doing graphotherapy, thereby changing both her signature in her writing in general, is evident.

Some authors argue that human life is made of seven-year periods. So that periods of training of our firm will also be structured similarly:

1. would be the period between 0-7 years, where the line is uncertain and rough. The firm is not among its possibilities.
2. would be the period from infancy through adolescence, 7-14 years, where there is a progressive definition and impetus. Torsion observed in the sticks "ascenders, characteristic of the writing of early adolescence, and where the firm is still not defined.
3. Among the 14-21 years we would enter the juvenile period. There is greater flexibility in the stroke and more decisively. Unique features first appear, even if they are not definitive. The firm lacks maturity and does not define the directionality of the strokes. Sinistrogiros observed and right-handed, open and closed points, and often mimics heading of someone who is admired. Out there, subconscious values.
4. would enter the period of fullness, which would include the seven years between the 21-28 years. The writing is vigorous and broad in its path. Characteristic pressure is detected, there is greater security, and there are already many of the features of writing to be considered typical of the individual.
5. Among the 28-35 years would be on the Plateau of wholeness, which gives the total maturity of writing according to these authors. Fully observed in the lines, strength, speed and rhythm. The pressure is defined. The top of some letters ( criminals), and lower (jambs) appear made with the emphasis that corresponds to the signer's normal personality.
6. From here we enter into the period from the fullness to maturity, 35-42 years, where they observe and refine resources, resulting in a perfect cadence in the pace of the stroke.
7. Among the 42-49 years, places the plateau of maturity. No significant changes in the stroke in most cases.
8. Among the 49-56 year maturity period, there are still signs of vitality in the stroke, but the decrease in firmness print certain changes in point and its dimensions, its regularity and its leadership.
9. of 56 to 63 years maturity period of intellectual age, disappear the embers of any crisis occurs chronologically and fully the intellectual flow, achieved over a lifetime. The letter takes on a new vitality, it may even be that greater clarity, yet is unable to recover fast enough to keep pace in the renewed mental vigor, so that errors occur frequently due to insufficient strength, especially in people moving.
10. would enter and, finally, in the final stages of writing, the beginning of the third age of 63 years and older. Is a time of considerable uncertainty and fluctuations, which usually happens in periods in which the letter appears with the characteristics maturity to others in that it shows oscillations unhealthy. It appears that the oscillation is more rapid and evident in some than in others, showing lapses of substance, interspersed with others that basically says to the physical, psychic and mental.

positive examples we can find would be Picasso, C haplin and others reached a very advanced age in grace only calling to life the opportunity to continue creating.

Salvador Dali Signature

Anyway, this would be what concerns the evolution of our firm based on their chronology. As discussed above, one should also take into account other external factors that will make our company go changing. To illustrate could avail ourselves to see the signatures of historical figures such as Hitler, Mussolini, etc.. But this is a matter for another time.

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graphomotor: on the right way to take the writing implement and the correct position to write

On the first point; the right way of take the pen , is that which enables us to write, that is, which allows us a proper execution of the stroke and the essences that compose it. Will we be comfortable and make the writing flow across the paper

take the wrong way to write useful there are many, and these conditions in their own way how to write, produce dysgraphia .

The best way to catch the writing implement is one that reflects the image:

• In the middle finger, the pen must be supported in the 3 rd phalanx, right up to where he was born the nail.
• The index finger hold a position similar to an arc of 180 degrees to the pen.
• thumb will
  The connection between the two. With respect to the index finger, as we see when we write, the thumb will be slightly more backward than quel , ie closer to us.

mentioned

The three fingers around the pen to get it completely. That is, among them there is always some contact , always playing somewhere.

Regarding the other two fingers, ring and little finger are bent in the same way that the index and middle fingers. These four fingers are held together when writing. Thus, we see how they form a circle with your index finger and thumb. Any other geometric shape different from what should be a circle, tells us that is not properly picked up the pen. The form does not adequately take the tool may result phenomena as " the tension of the fingers " (which appears when we take it as if we had in a fist) or the "scanning position ( that appears when we take it with two fingers only.)

On the second point; the correct position to write , our spine should remain straight and the legs on the ground, if possible without crossing, to cross the energy is not misused. We bring our body to the edge of the table where we place the paper so that the arms remain on the table. We will handle the paper and not leave the paper We drive to us. This is what I call a position to writing. If we have to handle the blade, while moving vamo s writing, we will do with your left hand (if we are naturally right-handed), sliding the blade as we need more space to write. It should be said that the road should remain bent. This inclination must be unique and accurate in that, keeping this body and forearm down on paper, allow us to write without having to look at, because the lines we are not going to bend.